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August 28th, 2026 | By Jorge Rodriguez

Can a New Iconography Recompose a Shared Identity? Part 3

For this series, Rubio & del Amo, a Murcia-based studio specializing in visual identity, editorial design and packaging, joins forces with Cruz más Cruz, the Madrid firm founded by José María Cruz Novillo and later consolidated with the arrival of his son Pepe. Two fairly complementary sensibilities feeding into a common project.

August 27th, 2026 | By Jorge Rodriguez

The Beatles, Jim Marshall, and a Legendary Night

In July, 2026 Annex Gallery presented a selection of Jim Marshall’s photographs documenting episodes and leading figures of the Civil Rights Movement in the United States during the 1960s. Preparing the exhibition and, above all, the research that accompanied it proved enormously enriching for me.

August 21st, 2026 | By Jorge Rodriguez

The Billionaire, Sin, and the Virgin

Three days after turning twenty-nine, on Wednesday, January 21, 1998, I carried out my first subversive act against Cuba’s communist system. I went to wait for Pope John Paul II. I went with tremendous enthusiasm. Probably with Gilma, my wife at the time. We positioned ourselves on the right-hand sidewalk of Paseo, between 7th and 5th Streets, in Havana’s Vedado district. We waited for about an hour and a half.

August 20th, 2026 | By Jorge Rodriguez

Medusa

In the mid-1990s, I had many printed copies of the Financial Times in my hands. Probably sometime between 1995 and 1997. I was fascinated by its design, the wan salmon of its pages and Ingram Pinn’s illustrations: its visual identity, basically. As for reading it, very little, I confess. It was an almost purely retinal experience, and little else. But it became clear to me that its texts were written for professionals —people who make decisions on the basis of verified information—

August 15th, 2026 | By Jorge Rodríguez

Time, the Press, and the Smell of Fresh Ink

The smell of fresh ink on a print just lifted from the press has a remarkable ability to turn devotees into addicts. So do the uneasy intervals built into the process, which forge a very particular bond with the craft. This lies at the origin of nearly every printmaking and screen-printing workshop. Another trait they tend to share is an unusual capacity for endurance...

July 30th, 2026 | By Jorge Rodriguez

Can a New Iconography Recompose a Shared Identity? Part 2

Given its scale and significance, I will present my analysis of this project in several installments. These are the ten design proposals shortlisted for the next series of euro banknotes. At this moment, they are under the gaze of millions. Citizens of the euro area have been invited to choose their favorites in a survey that will remain open until September 21...

July 25th, 2026 | By Jorge Rodriguez

Can a New Iconography Recompose a Shared Identity? Part 1

Designing the banknotes destined to circulate throughout a monetary area such as Europe is among the most prestigious and consequential commissions a professional or design studio can receive. Creating an image to be shared by millions of people, condensing an identity into visual form, and meeting complex demands of legibility, security, symbolism, and instant recognition constitute a task at which even a demigod like Hercules might have failed...

July 23rd, 2026 | By Jorge Rodriguez

Cold at the Extremes

Yesterday, a video circulated widely across social media showing the arrest of a young transgender person on February 5, 2025, at the University of Central Florida in Orlando. The footage shows a "highly agitated" Jarrett Vick, a 27-year-old transgender student, confronting several officers who were on campus for unrelated reasons...

Your face, Sir, has been discontinued
July 20th, 2026 | By Jorge Rodriguez

Your face, Sir, has been discontinued

Maximilian of Habsburg, the emperor whom the French Intervention installed on the throne, built the Paseo de la Emperatriz —modeled on the Parisian boulevards— to link Chapultepec Castle with the city center. Mexico's conservative quarters looked kindly upon it. When the empire fell, the republican governments renamed it Paseo de la Reforma. This Reforma is the Mexican liberal one, the laws driven by Benito Juárez that separated Church from State and consolidated the Republic.

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Founded in 2021, Echoes (Notes of Visual Narrative) invites everyone to explore together the visual codes that shape our world—art, photography, design, and advertising in dialogue with society.

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